GFF20 Review: Saint Maud
Blending darkly surreal and provocative horror with gripping character drama, Rose Glass’s debut feature Saint
Glasgow Film Festival
GFF20 Review: Deerskin
At a punchy seventy-seven minutes, writer-director Quentin Dupieux’s Deerskin is a manic absurdist delight. A
GFF20 Review: Disco
Norwegian drama Disco from director Jorunn Myklebust Syversen examines in the damaging impact of two
GFF20 Review: The Truth (La vérité)
Acclaimed Japanese director Hirokazu Koreeda assembles a staggeringly impressive cast for his English/French language debut,
GFF20 Review: True History of the Kelly Gang
Justin Kurzel brings Peter Carey’s novel True History of the Kelly Gang to the big
GFF20 Review: County Lines
The ruthless destructive impact and collateral damage caused by the drug trade takes forefront in
Glasgow Film Festival 2020: Our Programme Highlights
The Glasgow Film Festival has gone from strength to strength since bursting onto the film
GFF19 Review: Black Circle
Cult film icon Christina Lindberg returns to the big screen in Swedish sci-fi horror Black
GFF19 Review: Here Comes Hell!
Part gleeful homage to classic William Castle inspired horror, part gory video nasty, Here Comes
GFF19 Review: Keep Going (Continuer)
Director Joachim Lafosse transforms Laurent Mauvignier’s novel into a feast for the senses as he depicts
GFF19 Review: Dragged Across Concrete
S. Craig Zahler’s name was one that adorned the lips of many a genre fan
GFF19 Review: Only You
Josh O’Connor and Laia Costa lead romantic drama, Only You, from writer-director Harry Wootliff. Exploring
GFF18 Review: Lucky
The late Harry Dean Stanton leads Lucky – which has sadly become his final lead
GFF18 Review: Rod Taylor: Pulling No Punches
Robert de Young directs ‘Rod Taylor: Pulling No Punches‘ a glimpse into the film career
GFF18 Review: Beast
Michael Pearce writes and directs Beast, a Jersey set psychological thriller which launches Jessie Buckley
GFF18: Let the Sunshine In
Juliette Binoche heads French anti-romantic drama, Let the Sunshine In (Un beau soleil intérieur). The
GFF17: Warren Beatty’s Rules Don’t Apply
Few filmmakers and actors have CVs as seamless as Warren Beatty. The actor became a
GFF17: Cate Shortland’s Berlin Syndrome
Five years since her last film (the critically acclaimed Lore), Cate Shortland returns with another
GFF17: Pablo Larraín’s Neruda
Pablo Larraín reunites with No collaborator Gael García Bernal for Neruda, a film that pays
GFF17: Werner Herzog’s Salt and Fire
Werner Herzog’s first two dramatic features since 2009, Queen of the Desert and Salt and
GFF17: François Ozon’s Frantz
French filmmaker François Ozon has become well known for his subversive Hitchcockian fare that plays
Review: The Club (El Club)
The sins of the Catholic Church receive further cinematic exposure after widespread recognition at the
GFF 2016: Programme Highlights
Last night saw the launch of the Glasgow Film Festival’s twelfth official programme and as
GFF15 Review: Clouds of Sils Maria
Olivier Assayas writes and directs Clouds of Sils Maria, an ambitious character study examining the
GFF15: Alan Rickman’s A Little Chaos
Alan Rickman returns to the director’s chair for the first time since 1997’s The Winter