Film Festival Review: Anaïs in Love
Charline Bourgeois-Tacquet’s debut feature Anaïs in Love is an elegant French drama grounded by a
Glasgow Film Festival
Glasgow Film Festival 2022 Review: Everything Went Fine (Tout c’est bien passé)
François Ozon’s latest feature is one with a truly personal connection to the filmmaker, based
Glasgow Film Festival 2022 Review: Tigers (Tigrar)
Based on the story of Swedish footballer Martin Bengtsson, Tigers (Tigrar) captures the trappings of
Glasgow Film Festival 2022 Review: Fire (Both Sides of the Blade)
Claire Denis presents complex, astute character-driven drama in Fire (Both Sides of the Blade), a
Glasgow Film Festival 2022 Review: Erin Vassilopoulos’s ‘Superior’
The first time feature from Erin Vassilopoulos, Lynchian noir Superior makes its UK premiere at
Glasgow Film Festival 2022 Review: Anaïs in Love
Charline Bourgeois-Tacquet’s debut feature Anaïs in Love is an elegant French drama grounded by a
Glasgow Film Festival 2022 Review: Bruno Reidal: Confession of a Murderer
Bruno Reidal: Confession of a Murderer from filmmaker Vincent Le Port is an asserting glimpse
Glasgow Film Festival 2022 Review: Paul Verhoeven’s Benedetta
Judith C. Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy gets
Glasgow Film Festival 2022 Review: Gaspar Noé’s Vortex
Gaspar Noé’s latest feature Vortex is a quietly sobering, painful experience as it makes a
Glasgow Film Festival 2022 Review: Silent Land
Languorous dramatic slow-burner Silent Land is a unnerving piece that takes on the ill-fated holiday
Glasgow Film Festival 2022 Review: True Things
Ruth Wilson leads True Things, a complex character-driven drama examining a doomed to fail relationship
Glasgow Film Festival 2022 Review: a-ha The Movie
Norwegian pop heroes a-ha are the subject of Thomas Robsahm and Aslaug Holm’s documentary chronicling the band’s rise
Glasgow Film Festival 2022 Review: Ashgrove
Canadian acting talent Amanda Brugel (The Handmaid’s Tale, Canada’s Drag Race) leads Ashgrove, a timely
Glasgow Film Festival 2021 Review: Out of the World
Writer-director Marc Fouchard takes us on a nightmarish journey through the eyes of a disturbed
Glasgow Film Festival 2021 Review: The Woman with Leopard Shoes
Contemporary film-noir thriller The Woman with Leopard Shoes (original title: La Femme aux Chaussures Leopard)
Glasgow Film Festival 2021 Review: Danish Crime Saga ‘Wildland’
Danish crime drama Wildland (Original title: Kød & blod) from director Jeanette Nordahl and writer
Glasgow Film Festival 2021 Review – Truman & Tennessee: An Intimate Conversation
Two literary titans whose celebrity and cinematic adaptations often transcended the exposure of their own
Glasgow Film Festival 2021 Review: Poppy Field
Gay-themed Romanian drama Poppy Field, directed by Eugen Jebeleanu and Ioana Moraru, draws inspiration from
Glasgow Film Festival 2021 Review: Undergods
Eerie apocalyptic anthology Undergods presents three ill-fated stories capturing a Europe and its middle-classes in
Glasgow Film Festival 2021: Steelers: The World’s First Gay Rugby Club
Eammon Ashton-Atkinson makes his directorial debut with Steelers, a documentary which delves into the journey
Glasgow Film Festival 2021 Review: The Toll
Thriller The Toll from director Ryan Andrew Hooper and writer Matt Redd treads the line
Glasgow Film Festival 2021 Review: The Mauritanian
Kevin Macdonald’s The Mauritanian opens this year’s Glasgow Film Festival at home and gets the
Glasgow Film Festival 2021 Review: Turkish Dystopian Drama ‘In the Shadows’
Turkish filmmaker Erdem Tepegoz writes and directs In the Shadows. Packed with steampunk aesthetics and
GFF20 Review: The Other Lamb
Polish director Malgorzata Szumowska directs The Other Lamb, based on a screenplay by Australian writer