Film Festival Review: Anaïs in Love
Charline Bourgeois-Tacquet’s debut feature Anaïs in Love is an elegant French drama grounded by a
GFF22
Glasgow Film Festival 2022 Review: Everything Went Fine (Tout c’est bien passé)
François Ozon’s latest feature is one with a truly personal connection to the filmmaker, based
Glasgow Film Festival 2022 Review: Fire (Both Sides of the Blade)
Claire Denis presents complex, astute character-driven drama in Fire (Both Sides of the Blade), a
Glasgow Film Festival 2022 Review: Anaïs in Love
Charline Bourgeois-Tacquet’s debut feature Anaïs in Love is an elegant French drama grounded by a
Glasgow Film Festival 2022 Review: Bruno Reidal: Confession of a Murderer
Bruno Reidal: Confession of a Murderer from filmmaker Vincent Le Port is an asserting glimpse
Glasgow Film Festival 2022 Review: Paul Verhoeven’s Benedetta
Judith C. Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy gets
Glasgow Film Festival 2022 Review: Gaspar Noé’s Vortex
Gaspar Noé’s latest feature Vortex is a quietly sobering, painful experience as it makes a
Glasgow Film Festival 2022 Review: Silent Land
Languorous dramatic slow-burner Silent Land is a unnerving piece that takes on the ill-fated holiday
Glasgow Film Festival 2022 Review: a-ha The Movie
Norwegian pop heroes a-ha are the subject of Thomas Robsahm and Aslaug Holm’s documentary chronicling the band’s rise