GFF16 Review: Matthias Schoenaerts in ‘Disorder (Maryland)’
Matthias Schoenaerts leads Alice Winocour’s Disorder (occasionally titled Maryland), a slow-burning thriller that examines the
GFF
GFF16 Review: High-Rise
Producer Jeremy Thomas’s passion project, an adaptation of J.G. Ballard’s ‘unfilmable’ 1975 novel High-Rise, finally
GFF16 Review: 11 Minutes
Veteran Polish filmmaker Jerzy Skolimowski (The Shout, Moonlighting) returns with anthology piece 11 Minutes –
GFF16 Review: Summertime (La Belle Saison)
Catherine Corsini casts a delicate glance over women’s liberation and female sexuality in the seventies
GFF16 Review: James White
Low-key observational drama James White was a quiet favourite of Sundance 2015 and the debut
GFF16: Hail, Caesar!
The Coen Brothers move to lighter ground with their love struck send-up of the Golden
GFF 2016: Programme Highlights
Last night saw the launch of the Glasgow Film Festival’s twelfth official programme and as
GFF15 Review: Clouds of Sils Maria
Olivier Assayas writes and directs Clouds of Sils Maria, an ambitious character study examining the
GFF15: Alan Rickman’s A Little Chaos
Alan Rickman returns to the director’s chair for the first time since 1997’s The Winter
GFF15 Review: The Town That Dreaded Sundown (2014)
Ryan Murphy’s passion for the horror genre goes cinematic in his meta-sequel to 1976 cult
GFF15 Review: A Second Chance (En chance til)
Susanne Bier’s Serena was a pleasant surprise that served up a solid helping of emotionally-charged
GFF15 Review: The New Girlfriend (Une nouvelle amie)
Francois Ozon’s latest film, The New Girlfriend, follows the slightly shaky In the House and
GFF15 Review: The Little Death
The curious world of sexual fetishes is the subject of Australian comedy The Little Death
GFF15 Review: Marshland
Brooding Spanish crime-drama Marshland was sadly the subject of some technical difficulties at its Glasgow
GFF15 Review: Wild Tales
The Oscar nominated Wild Tales may have failed to achieve victory in the Best Foreign
Review: Terry Gilliam's The Zero Theorem (GFF)
It’s hard not to get excited by prospect of a new Terry Gilliam film –
Review: Locke (GFF)
You would be forgiven for thinking a narrative centred around a man sitting in a
Review: 20 Feet from Stardom (GFF)
20 Feet from Stardom has already taken the US by storm and will be battling
Review: Dark Blood (GFF)
This week saw the UK premiere of George Sluizer’s (The Vanishing) final cut of his
Review: Witching and Bitching (GFF)
Take the premise of From Dusk Till Dawn – criminals on the run who stumble
Review: The Dance of Reality (La danza de la realidad) (GFF)
1990’s The Rainbow Thief seemed like it was going to be a sad final note
Review: A Long Way Down (GFF)
Considering this is a film about people on the verge of suicide, its peculiarly light-hearted,
Review: Cas and Dylan (GFF)
After making his name in hit nineties Aaron Spelling soap, Beverly Hills 90210, Jason Priestley
Review: Elaine Stritch: Shoot Me (GFF)
Elaine Stritch has been a Broadway star for over sixty-five years working with everyone from
Review: The Strange Colour of Your Body’s Tears (GFF)
Its influence is apparent in many genre features, but giallo is a tradition that gradually