Glasgow Film Festival 2022 Review: Fire (Both Sides of the Blade)
Claire Denis presents complex, astute character-driven drama in Fire (Both Sides of the Blade), a
GFF
Glasgow Film Festival 2022 Review: Silent Land
Languorous dramatic slow-burner Silent Land is a unnerving piece that takes on the ill-fated holiday
Glasgow Film Festival 2022 Review: Paul Verhoeven’s Benedetta
Judith C. Brown’s Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy gets
Glasgow Film Festival 2022 Review: Gaspar Noé’s Vortex
Gaspar Noé’s latest feature Vortex is a quietly sobering, painful experience as it makes a
Glasgow Film Festival 2021 Review: Turkish Dystopian Drama ‘In the Shadows’
Turkish filmmaker Erdem Tepegoz writes and directs In the Shadows. Packed with steampunk aesthetics and
GFF20 Review: The Other Lamb
Polish director Malgorzata Szumowska directs The Other Lamb, based on a screenplay by Australian writer
GFF20 Review: Deerskin
At a punchy seventy-seven minutes, writer-director Quentin Dupieux’s Deerskin is a manic absurdist delight. A
GFF20 Review: The Truth (La vérité)
Acclaimed Japanese director Hirokazu Koreeda assembles a staggeringly impressive cast for his English/French language debut,
GFF20 Review: True History of the Kelly Gang
Justin Kurzel brings Peter Carey’s novel True History of the Kelly Gang to the big
GFF20 Review: County Lines
The ruthless destructive impact and collateral damage caused by the drug trade takes forefront in
GFF19 Review: Black Circle
Cult film icon Christina Lindberg returns to the big screen in Swedish sci-fi horror Black
GFF19 Review: The Feeling of Being Watched
Documentary filmmaker Assia Boundaoui delivers a deeply personal, unsettling account of the scarcely documented surveillance
GFF19 Review: Keep Going (Continuer)
Director Joachim Lafosse transforms Laurent Mauvignier’s novel into a feast for the senses as he depicts
GFF19 Review: Dragged Across Concrete
S. Craig Zahler’s name was one that adorned the lips of many a genre fan
GFF19 Review: Only You
Josh O’Connor and Laia Costa lead romantic drama, Only You, from writer-director Harry Wootliff. Exploring
GFF18 Review: Lucky
The late Harry Dean Stanton leads Lucky – which has sadly become his final lead
GFF18 Review: Rod Taylor: Pulling No Punches
Robert de Young directs ‘Rod Taylor: Pulling No Punches‘ a glimpse into the film career
GFF18 Review: Beast
Michael Pearce writes and directs Beast, a Jersey set psychological thriller which launches Jessie Buckley
GFF17: Warren Beatty’s Rules Don’t Apply
Few filmmakers and actors have CVs as seamless as Warren Beatty. The actor became a
GFF17: Cate Shortland’s Berlin Syndrome
Five years since her last film (the critically acclaimed Lore), Cate Shortland returns with another
GFF17: Pablo Larraín’s Neruda
Pablo Larraín reunites with No collaborator Gael García Bernal for Neruda, a film that pays
GFF17: Werner Herzog’s Salt and Fire
Werner Herzog’s first two dramatic features since 2009, Queen of the Desert and Salt and
GFF17: François Ozon’s Frantz
French filmmaker François Ozon has become well known for his subversive Hitchcockian fare that plays
Review: The Club (El Club)
The sins of the Catholic Church receive further cinematic exposure after widespread recognition at the
GFF16 Review: Christopher Plummer in ‘Remember’
Christopher Plummer delivers the strongest performance of his career in Remember, a searing revenge-drama from