EdFringe 2022 Review: Christine Bovill – Paris: From Piaf to Pop!
Christine Bovill returns to the Edinburgh Fringe’s French Institute hub with Paris: From Piaf to
Edfringe
EdFringe 2022 Review: Never Let Go
Writer-performer Michael Kinnan brings Never Let Go: An Unauthorised Retelling of James Cameron’s Titanic to
EdFringe 2022 Review: Wild Onion
The aroma of red onions, spring onions, brown onions, leeks and shallots is likely to
EdFringe 2022 Review: (le) Pain
JD Broussé has made a name for himself as part of acro duo Nikki &
EdFringe 2022 Review: angel monster
Experimental dance creation angel monster is a provocative piece from Australian company Phluxus2 Dance Collective
EdFringe 2022 Review: The Silver Bell
A LGBTQ+ story with a sci-fi kick impresses in Pleasance delight The Silver Bell which
EdFringe 2022 Review: Boom
Boom presents an entertainment spectacular with a Gen Z twist giving us a glimpse into
EdFringe 2022 Review: Briefs – Bite Club
Two shows from Australian cabaret favourites Briefs make an appearance at this year’s Edinburgh Fringe.
EdFringe 2022 Review: Karen From Finance Is Out of Office
Karen From Finance is somewhat of a regular to the Edinburgh Fringe, prior to this
EdFringe 2022 Review: Rob Madge – My Son’s a Queer (But What Can You Do)
Rob Madge was quick to become a viral sensation after their sharing of home video
EdFringe 2022 Review: Giving Up the Ghost
Giving Up the Ghost’s Edinburgh Fringe run has now finished but you can find out
EdFringe 2022 Review: Jesus, Jane, Mother and Me
Jesus, Jane, Mother & Me, the latest work from writer and director Philip Stokes serves
EdFringe 2022 Review: Rebel
In a move of genius, the music of David Bowie combines with the awe of
EdFringe 2022 Review: Reuben Kaye – The Butch Is Back!
All feels right in the world as Reuben Kaye returns to the Edinburgh Fringe with
EdFringe 2022 Review: Railed
Australia’s Head First Acrobats have become a staple of the Edinburgh Festival Fringe with their
EdFringe 2022 Review: Fabulett 1933
Michael Trauffer brings an elegant slice of cabaret to the Edinburgh Festival Fringe with his
EdFringe 2022 Review: The Land of Lost Content
Two-hander The Land of Lost Content from Henry Madd centres on spending one’s formative years
EdFringe 2022 Review: Beats On Pointe
Bursting with high energy dance spectacle, Beats On Pointe is a stellar celebration of old
EdFringe 2022 Review: Lottie Platchett Took a Hatchett
Lottie Platchett Took a Hatchett presents a riotous high camp spectacle based on a classic
EdFringe 2022 Review: Boy
Actors Vanja Maria Godée and Jeroen van der Ven lead Boy which takes residence at Summerhall
EdFringe 2022 Review: An Eve and an Adam
Danish dance company Granhøj Dans bring An Eve and an Adam to the Edinburgh Fringe’s Dance
EdFringe 2022 Review: Fata Morgana
Italian performer Margherita Remotti conceives and performs Fata Morgana, a one-woman show delving into the
EdFringe 2022 Review: The Man Who Thought He Knew Too Much
Voloz Collective delight with breezy espionage farce The Man Who Thought He Knew Too Much