LGBT Review: Darkroom
German auteur Rosa von Praunheim writes and directs Darkroom: Drops of Death – a thriller
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Country: Dixie Chicks Unveil ‘Gaslighter’ Single and Album
There’s much to love about the country music community, yet like all genres of music
Music: Keiino Debut New Bop ‘Black Leather’
Eurovision people’s champions, Keiino continue to go from strength to strength with their post-ESC releases,
GFF20 Review: Blanco En Blanco
Théo Court’s Blanco En Blanco (White on White) is an undeniably challenging watch, a slow-burner
Music: Sparks Announce New LP ‘A Steady Drip, Drip, Drip’, New Track ‘Self-Effacing’
Intellectual electronic pop juggernauts Sparks are back with their latest studio album – their twenty-fifth
Music: Alanis Morissette Reveals ‘Such Pretty Forks in the Road’ Tracklist, New Song ‘Smiling’
Arriving on the 1st of May is Alanis Morissette’s new studio album Such Pretty Forks
Film Review: 365 Days (365 dni)
Positioning itself as Polish cinema’s answer to the Fifty Shades of Grey book and film
Music: Ronan Keating Unveils Emeli Sandé Duet, New Album ‘Twenty Twenty’
After a successful final hurrah with Boyzone, Ronan Keating re-embarks on his solo endeavours with
Music: Michele Morrone Releases ‘Dark Room’ Album, Trailer for First Polish Erotic Film ‘365 DNI’ (365 Days)
Italian actor, singer and model Michele Morrone has scored the lead role in the first
LGBT Review: Orpheus Song
German filmmaker Tor Iben reteams with actor Julien Lickert, his collaborator on 2017 queer thriller
Music: Styles, Horan, Tomlinson, Payne and Malik. What’s Going On? Solo Career Update
The One Direction solo trajectories have been strange. In terms of a group splitting and
Music: Sergey Lazarev Unveils New LP ‘Eto ya’ (‘This Is Me’)
Russian Eurovision heartthrob Sergey Lazarev has unleashed his latest Russian language album upon the world
Music: Revisiting the Bops of Melissa Tkautz
A spot of channel hopping lead us to the delights of The Real Housewives of
Music: Prince Estate Readies New LP ‘Piano and a Microphone 1983’
Given how much material Prince had in his legendary vault, it’s no surprise that the